is a boon for both the teacher and the student, to have extra material to be able to go and reinforce what is learned. These days without class and before a vacacioncillas, I'm doing requests for new course material next. And I'm here, thinking and looking which go well, what do we most needed, which will be most useful, which like most ...
Thinking of that material and that possibly next year again to give the film course, I'm looking how I can reinforce that section of extra material. Probably repeat some of the films we've seen this year, I will change others ... as always and reharé will list a few times ... normal. But it's also good to have on hand other movies that although are not in class or are not in the program, we talk about them during the course.
I have already said in another post the concept of "old" I think our students understand that they have around here. Old is what happens 20 years (so I ... an age: (). In order not to interfere with their motivation and knowing that the library already has some titles that go beyond the two decades long (an antique) I considering that a possible selection criterion would provide the library of the latest releases.
With Spain releases I have contact, but with Latin American countries recognize that it is not. And the film has to be equipped with " around a bit. "So, THANKS to the distribution list FORMESPA and peer collaboration Professed formespean it, I managed to list quite completita (a view that says the secretary of the department when you see the amount of movies I want to ask) But more importantly, is equipped with a number of titles that are related with more than 20 English-speaking countries and where the oldest 'data', 1985, a true relic. Thank you for your cooperation.
Here you have the list (in alphabetical order of titles) that you have created a link and have also contributed.
- Amores perros (Alejandro G. Iñárritu. Mexico. 2000) Let's see ...?
- Before Night Falls (Julian Schnabel.USA. 2000) Let's see ...?
- Blossom, the dog (Carlos Sorin. Argentina. 2004) Let's see ...?
- Buena Vista Social Club (Wim Wenders.Alemania, USA (Cuba) 1999) Let's see ...?
- Che (Steven Sonderbergh.Francia, Spain, USA. 2008)
- Comandante (Oliver Stone. USA. Spain (Cuba) 2003) Let's see ...?
- Like Water for Chocolate (Alfonso Arau. Mexico. 1992) Let's see ...?
- Diaries Motorcycle (Walter Salles. Argentina, Brazil, Chile, Peru, USA. 2003)
- Embrace (Daniel Mist. Argentina. 2004)
- Love in the Time of Cholera (Mike Newell. USA. 2007)
- The Aires (Pablo Trapero. Argentina. 2002)
- Colonel no one writes (Arturo Ripstein. Mexico. 1999) Let's see ...?
- The Crime of Father Amaro (Carlos Carrera. Mexico. 2002)
- The Devil's Backbone (Guillermo del Toro. Mexico-Spain. 2001)
- The Son of the Bride (Juan José Campanella . Argentina. 2001)
- Same Love Same Rain (Juan José Campanella. Argentina. 1999)
- Northern (Gregory Nava. USA (Guatemala) 1983) Let's see ...? Exercises Kate Risse
- The secret of his eyes (Juan José Campanella. Argentina. 2009)
- Strawberry and Chocolate (Tomas Gutierrez Alea. Cuba. 1993) Let's see ...?
- Frida (Julie Taymor. USA. 2002) Let's see ...?
- Guantanamera (Tomas G. Alea and J. Carlos Tabio. Cuba Spain. 1995) Let's see ...?
- Habana Blues (Benito Zambrano. Spain (Cuba) 2005)
Exercises - Brother (Marcel itching. Venezuela. 2010) Let's see ...?
- minimum Stories (Carlos Sorin. Argentina. 2002)
- Ilona arrives with the rain (Sergio Cabrera. Colombia. 1996) Let's see ...? <
- Kamchatka (Marcelo Piña. Argentina. 2002)
- The Good Life (Andrew Wood. Chile. 2007)
- shell (Carlos Ameglio. Uruguay. 2007) Let's see ... ?
- The Swamp (Lucrecia Martel. Argentina. 2001)
- City and dogs (Francisco José Lombardi. Peru. 1985) Let's see ...?
- snail strategy (Sergio Cabrera. Colombia. 1993)
- The Feast of the Goat (Luis Llosa.España / UK (Dominican Republic) 2005)
- The Official Story (Luis Puenzo. Argentina. 1985)
- The Headless Woman (Lucrecia Martel. Argentina. 2008)
- The Holy Girl (Lucrecia Martel. Argentina. 2004)
- The Empty Nest (Claudia Llosa. Peru. 2009)
- Real Women Have Curves (Patricia Cardoso. USA. 2002)
- Widows Thursdays (Marcelo Piña. Argentina. 2009)
- Waiting List (Juan Carlos Tabio. Cuba. 2000)
- Luna de Avellaneda (Juan José Campanella. Argentina. 2004)
- Machuca ( Andrés Wood. Chile. 2004) exercises Ana Valbuena
- Madeinusa (Claudia Llosa. Peru. 2006)
- Man on fire. The on Fire (Tony Scott. USA / Mexico. 2004)
- Maria Full of Grace (Joshua Marston. Colombia / US. 2004) Ivonne Lerner exercises
- Crane World (Pablo Trapero . Argentina. 1999) do see ...?
- Nine Queens (Fabián Bielinsky. Argentina. 2000)
- Paloma paper (Fabrizio Aguilar. Peru. 2003) Let's see ...?
- Pantoja and the Special (Francisco José Lombardi. Peru. 1999)
- Paradise Travel (Simon Brand. Colombia. 2008)
- Pizza, Birra, Faso (Adrián Caetano and Bruno Stagnaro. Argentina. 1998)
- How far (Tania Hermida. Ecuador. 2006)
- Rosario Tijeras (Emilio Maillé. Colombia. 2005)
- brave Time (Damian Szifrón. Argentina. 2005)
- Every Stewardess Goes to Heaven (Daniel Burman. Argentina. 2002) Let's see ...?
- Valentín (Alejandro Agresti. Argentina. 2004)
- Whisky (Juan Pablo Rebella and Pablo Stoll. Uruguay. 2004) Let's see ...?
- XXY (Lucía Puenzo. Argentina. 2007)
- Y Tu Mama Tambien (Alfonso Cuaron. Mexico. 2001)
Some interesting link
- Latin American Film Festival Toulouse
- Colombian films
- Latin American Cinema. University of Berkeley
- Hispanic Film and Literature. University of Castilla la Mancha
Cristina Pérez Cordón
give us your material to present the main theme of the films on the list (Paper Dove):
Shining Path Film and Paper Dove
View more presentations from liadora .
THANKS to all
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